Mori
by Lorna Rollings
An Artist Statement
Mori,
meaning “to die” in Latin, covers my personal exploration of
something that I have conflicting views on: field sports, i.e.,
pheasant shooting.
I am a vegetarian and have a pro-animal rights stance, however, many
forms of “cruel sports” have been in my family for generations.
As a child, my father would go rabbiting using ferrets with his uncle
in Devon; my uncle travels to different parts of the country to
compete in fishing competitions; and within the last few years, my
father would take our dog to a local pheasant shoot. Our dog was put
to sleep earlier this year, but my father has returned to the shoot
to continue beating. It is not uncommon during the winter months to
find dead birds hanging in our tool shed, ready to be plucked and
eaten.
I wanted to make this project after being inspired by the idea of
completing a photography project around a culture that you are not a
part of. As mentioned before, this project has a double meaning due
to my disjoint from similar activities carried out by members of my
family. I have also wanted to complete a photography project using
dead animals in some way, either road-kill or taxidermy, and this
project is the perfect opportunity to do so.
My final images will comprise of a still-life of a dead pheasant
shown opposite a portrait of one of the “guns” or beaters.
Practitioners such as Tamany Baker, Taryn Simon, and Rineke Dijkstra
have influenced the direction that the final images will take, in
terms of still-life using dead animals and the corresponding
portraits.
The themes of my work include conflict, death, and pleasure.
Conflict, due to the disjoint between the older generations of my
family's interests and my own. The death of the birds – the fact
that I see them as living beings with lives, emotions, and feelings
not dissimilar to those of a humans – is something that is done for
pleasure: the birds are killed not as a solution to overpopulation,
but as a recreational pastime, and to be eaten.
I feel that the work will represent how I see the birds: graceful,
beautiful, and peaceful in death, juxtaposed by being displayed next
to a portrait of someone who has been a part of them losing their
lives.
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